Saori Matsushita is a contemporary ceramic artist known for her innovative approach to porcelain. The artist draws inspiration from traditional Japanese craftsmanship and modern design. In addition, she masterfully blends delicate aesthetics with technical precision.
Matsushita’s work often explores the boundaries between fragility and durability. Her works create visually striking yet structurally sound pieces. Yes, we are trying to get you to the paper-like ceramics that Saori is renowned for. These ethereal pieces, crafted with extraordinary attention to detail, redefine the possibilities of ceramic art while capturing the beauty of imperfection.
Saori’s ceramic paper sculptures are a breathtaking fusion of illusion and craftsmanship. Basically, she was inspired by the delicate, fleeting nature of paper. In addition, she transforms porcelain into fragile-looking yet durable sculptures. If you see one of her works, we are sure you will have an urge to touch those ceramics.
Her journey into this unique style began with an experiment—attempting to fold clay as one would fold paper. The result was her first model, a porcelain piece that mimicked a crumpled sheet. Today, the artist is widely recognized for her ceramic origami vessels and sculptures, where intricate folds, creases, and layers bring an unexpected lightness to the material.
Additionally, her works are not limited to sculptures, of course. For example, on her website, you can see she has mugs, cups, bowls, vases, and many other products that you can use for different purposes. But we are not sure once you buy a mug, you will be willing to use them in daily life, as those ceramics are real works of art!
The Nerikomi Technique
Lastly, to create intricate patterns, Saori employs the Nerikomi technique. This technique is a traditional Japanese method of layering and slicing colored clay. Unlike surface glazing, this technique integrates designs directly into the porcelain. This method also allows for seamless, organic aesthetics. In short, this process enhances the illusion of folded paper in her ceramics.